This function is a lifesaver, as users dont have to spend time clicking the undo button and hoping they find what they lost now they can simply open Undo History and select the point they need to go back to. Users now have the ability to unmount drives directly in the Media page, where previously they had to open Media Storage in the Preferences menu.Īnother new addition is the Undo History window. The Media page has some important new features that make working in DaVinci Resolve easier. This is ideal, especially since you can then export the preset and use it on other systems with DaVinci Resolve 14. Another useful feature is the ability to save custom layouts you can organise your workspace as needed and save the layout as a preset. Users now have the ability to set timeline frame rates up to 120fps, and can even set custom resolutions all the way up to 16,000×16,000, for maximum flexibility on projects. Project Settings also has new additions which offer more flexibility and room to experiment. Blackmagic Design keeps a traditional workflow in mind, as users usually edit, grade and then move on to audio before outputting the media. Once the program opens, the addition of the Fairlight Audio page is hard to miss on the bottom pages panel, located between the Colour page and the Deliver page. This design provides a user-friendly and straightforward layout, making it less intimidating for first-time users. On the right-hand side are all the available projects for the chosen user. Upon starting the program, users will instantly notice a change within the project manager, which has a new sleek design with the databases to the left detailing the users. Users can be assured that whether they are working on a desktop or a portable workstation, there will be no interruptions in their workflow. We noticed a change in speed during playback, and when scrubbing through the timeline. With the new playback engine, however, we noticed significant improvement in playback, especially with heavier video formats. With the previous version 12.5 of DaVinci Resolve, from time to time there would be a slight playback lag on heavier RAW video formats such as those from RED cameras. This workstation has a 4GB NVIDIA graphics card and 64GB RAM. The second workstation was a portable HP ZBook 15. Naturally, a computer with such specifications will run any software efficiently. The program ran smoothly without any interruptions in playback and scrubbing speed. The system has a 12GB NVIDIA graphics card and 512GB RAM. The first workstation was a HP Z640 desktop running Windows. We tested out the new version of Resolve on two different workstations to see exactly how well the new playback engine performs on different specifications. With the addition of Fairlight Audio and the new collaboration features, a project can be worked on by editors, colour graders and audio engineers simultaneously, speeding up workflows and providing great efficiency.Īdditionally, with this release, Blackmagic Design has revamped the playback engine of DaVinci Resolve, making it 10 times faster and giving users better support for CPU threading, GPU pipelining, lower latency and much faster UI refresh rates. It makes a mark in the market as an all-in-one solution, and editors, colour graders and audio engineers now have all the necessary tools right at their fingertips. We recently had the opportunity to play around with Blackmagic Designs DaVinci Resolve 14, and are thrilled that users can get the best of both worlds when it comes to audio and video. Editing specialists Teneille Saayman and Nina Sargsyan put the Blackmagic Design DaVinci Resolve 14 through its paces.Įditing specialists Teneille Saayman and Nina Sargsyan put the new Blackmagic Design DaVinci Resolve 14 through its paces.
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